Taken for granted

women have made few contributions to the discoveries and inventions in the history of civilization

Freud

When I started to learn basketry, my oldest friend took great glee in sending me an article on Freud[1] in which he grudgingly allowing that perhaps women may have devised plaiting and weaving but that was only out of shame (you know who you are MK).

Before the industrial revolution, all wool, thread, and cloth were made by hand and it took a great deal of skill and time to gather fibres from plants or animals to make anything useful let alone beautiful.  The finest cloth was used to display wealth and status; hung on walls and adorning royalty with myths abounding such as the tales of Athena, Arachne or the Golden Fleece.  Spinners and weavers were lauded and acclaimed for their skills and economic contribution by the granting of a charter and the creation of the Weavers’ Guild in the twelfth century[2].

Along comes the spinning jenny and suddenly, textiles could be produced quickly and cheaply; so sewing, weaving, embroidery and quilting became crafts associated with domesticity and were mainly allocated to women[3].  What was regarded as a high art form practiced by both men and women since ancient times was demoted to a “feminine craft” that was at best a characteristic of an attractive and thrifty wife.  Now it’s sunk even further with clothing and bedding seen as cheap throwaway items with some eleven million items ending up in landfill each week.

Fortunately for me we live in more enlightened times, with knitting making a comeback and the art world starting to showcase a wide range of textile and fibre art[4].  It’s not just for grandmas anymore.


[1] http://ww3.haverford.edu/psychology/ddavis/p109g/freudfem.html

[2] http://weavers.org.uk/history

[3] https://frieze.com/article/artificial-divide-between-fine-art-and-textiles-gendered-issue

[4] https://www.widewalls.ch/contemporary-textile-art-artists/


Published by jencableart

Jen is a fibre artist inspired by the absurd, fantastic and undesirable aspects of everyday life. Her aim is to start conversations to nudge the world to be kinder, more sustainable and filled with joy. Each of her works has a tale to tell, a question to ask or a pleasure to share. Some celebrate aspects of life that have brought happiness; others are darker and demand change.

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